As if it’s 1994 all over again, “The Lion King” is monopolizing pop culture. For two consecutive weeks, Disney’s pseudo-live-action remake has conquered the box office, already accumulating $1 billion in global grosses. This time around, no one can claim they’re surprised.
Audiences may be satisfied with Jon Favreau’s photorealistic take on Simba and the gang, but what about the animators responsible for the original? After all, much of the new film mimics their imagery shot for shot, which is either a welcome dose of technologically sophisticated nostalgia or a creatively inert exercise in uncanny redundancy.
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